Dramaturgi Di Balik Kehidupan Akun Alter Twitter Dramaturgy Behind Twitter Alter Accounts
-
Published: 28 September 2023
-
Page: 39-47
Abstract
This article discusses the practice of Dramaturgy theory carried by the owners of alter Twitter accounts. In the modern era, communication technology is not only used to facilitate human work. Communication technology is also used to make it easier for humans to interact with each other. That practice of social interaction does not only occur in the real world but also in the virtual world. Many dramaturgical theory practices appear in cyberspace, one example is alter accounts on Twitter. This research uses descriptive qualitative method. The researcher creates a description based on the facts, characteristics, and relationships between the phenomena. The data collection method used is observation and interview. This study indicates that the two sources have something in common, that is, to make their alter accounts on Twitter a place to show a side of themselves that they cannot show in the real world. On the front stage, they build a self-image by posting sensual photos and videos in revealing clothes accompanied by supporting captions. However, on the back stage, these two sources show the opposite side, by dressing neatly, covering their genitals, acting politely and also having good manners.Keywords
- Alter Account; Dramaturgy Theory; Social Media; Twitter
Lisensing Information

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
How to Cite
Kirana, N. D., & Pribadi, F. (2023). Dramaturgi Di Balik Kehidupan Akun Alter Twitter Dramaturgy Behind Twitter Alter Accounts. Jurnal ISIP: Jurnal Ilmu Sosial Dan Ilmu Politik, 18(1), 39–47. https://doi.org/10.36451/jisip.v18i1.65
References
- Anggraini, K. (2015). Analisis Interaksionisme Simbolik pada Praktik Branding Rumah Sakit Universitas Airlangga (RSUA). Universitas Airlangga.
- Anindhita, W. (2018). Dramaturgi dibalik kehidupan social climber. JURNAL KOMUNIKASI DAN BISNIS, 6(1), 1–11.
- Astuti, E., & Febriana, C. (2019). Penegakan Hukum Terhadap Prostitusi Online (Pemahaman dan akar permasalahan Penegakan hukum ). Jurnal Pembaharuan Hukum Pidana, 2.
- Dewi, E. (2020). Mapping of Education Information Networks in Community of Cintaratu Village Pangandaran. The Journal of Society and Media, 4(2), 285.
- Dewi, R., & Janitra, P. A. (2018). Dramaturgy dalam Media Sosial. Jurnal Ilmu Komunikasi, 8(3), 341.
- Goffman, E. (1959). The Presentation of Self in Everyday Life. New York: Double Day.
- Ilyas. (2016). Pendidikan Karakter melalui Homeschooling. Jurnal of Nonformal Education, 2(1), 94.
- Inah, E. N. (2013). Peranan Komunikasi dalam Pendidikan. Jurnal Al-Ta’dib, 6(1), 177.
- Kemp, S. (2020). Digital 2020: Indonesia. Kusnandar, V. B. (2019). Pengguna Internet di
- Indonesia 2018 bertambah 28 juta.
- Maulidhina, Ni. (2020). Konsep Diri Alter Ego di Media Sosial (Studi Fenomenologi Konsep Diri Pengguna Akun Alter Ego Memposting Foto Seksi di Twitter dalam Menunjukkan Identitasnya yang Berbeda di Kota Bandung). Universitas Komputer Indonesia.
- Mead, G. H. (2018). Mind, Self and Society. Forum Dimensi.
- Pamungkas, I., & Lailiyah, N. (2019). Presentasi Diri Pemilik Dua Akun Instagram di Akun Utama dan Akun Alter. Jurnal Interaksi Online, 7(4), 373.
- Patrick, J. (2020). APJII Catat Pengguna Internet di RI Capai 196,7 Juta. Jakarta, Indonesia.
- Pribadi, F. (2018). Sosiologi Komunikasi (F. S. Sadewo, Ed.). SURABAYA: unesa university press.
- Pribadi, F., & Legowo, M. (2018). Fuzzy Identity in the Whatsapp Group : The Relevance of Dramaturgy Theory in Social Media. Atlantis Press, 226(Icss), 316–320. Ritzer, G., & Goodman, D. J. (2005). Teori Sosiologi Modern (6th ed.). Jakarta:
- Kencana.
- Riyanto, A. D. (2020). Hootsuite (We are Social): Indonesian Digital Report 2020.
- Suneki, S., & Haryono. (2012). Paradigma Teori Dramaturgi Terhadap Kehidupan Sosial. Jurnal Ilmiah CIVIS, 2.